{"id":25,"date":"2009-09-18T00:46:21","date_gmt":"2009-09-17T22:46:21","guid":{"rendered":"http:\/\/www.joanillo.org\/?p=25"},"modified":"2020-09-14T01:03:22","modified_gmt":"2020-09-13T23:03:22","slug":"so-que-es-veu-color-que-sescolta","status":"publish","type":"post","link":"https:\/\/www.joanillo.org\/?p=25","title":{"rendered":"So que es veu, color que s&#8217;escolta"},"content":{"rendered":"<p><img loading=\"lazy\" src=\"http:\/\/www.joanillo.org\/wp-content\/uploads\/2009\/12\/levels_nothing-150x150.jpg\" alt=\"levels_nothing\" title=\"levels_nothing\" width=\"150\" height=\"150\" class=\"alignright size-thumbnail wp-image-30\"><\/p>\n<p>Llegeixo a El Pais (9-9-2009) la \u00faltima instalaci\u00f3n interactiva de <strong>Rafael Lozano-Hemmer<\/strong> (<a href=\"http:\/\/www.lozano-hemmer.com\">www.lozano-hemmer.com<\/a>). <strong>Levels of Nothingness<\/strong> (<em>Els nivells del no-res<\/em>) \u00e9s un enc\u00e0rrec del museu Guggenheim de Nova York, i s&#8217;inspira en la po\u00e8tica de Kandinsky. Es tracta de reinterpretar les teories de l&#8217;artista rus sobre la sinest\u00e8sia: la capacitat d&#8217;experimentar una sensaci\u00f3 mitjan\u00e7ant un sentit distint del que li correspondria. En aquest cas es tracta de veure el so. Kandinsky estava conven\u00e7ut de qu\u00e8 a cada resson\u00e0ncia sonora li corresponia un ton crom\u00e0tic.<\/p>\n<p>La instal\u00b7laci\u00f3 es basa en un micr\u00f2fon computeritzat que analitza volum, intensitat i freq\u00fc\u00e8ncia, i els converteix en una \u00f2pera abstracta amb llums i colors com els utilitzats en un concert de rock. En paraules de l&#8217;artista: <em>all\u00f2 interessant \u00e9s que l&#8217;entorn lum\u00ednic es correspongui amb les caracter\u00edstiques conceptuals del que s&#8217;est\u00e0 dient en el micr\u00f2fon<\/em>.<\/p>\n<p>Els v\u00eddeos de les instal\u00b7lacions de Rafael Lozano-Hemmer es poden veure en la seva p\u00e0gina web: <a href=\"http:\/\/www.lozano-hemmer.com\/english\/videos.htm\">http:\/\/www.lozano-hemmer.com\/english\/videos.htm<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Llegeixo a El Pais (9-9-2009) la \u00faltima instalaci\u00f3n interactiva de Rafael Lozano-Hemmer (www.lozano-hemmer.com). Levels of Nothingness (Els nivells del no-res) \u00e9s un enc\u00e0rrec del museu Guggenheim de Nova York, i s&#8217;inspira en la po\u00e8tica de Kandinsky. Es tracta de reinterpretar les teories de l&#8217;artista rus sobre la sinest\u00e8sia: la capacitat d&#8217;experimentar una sensaci\u00f3 mitjan\u00e7ant un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.joanillo.org\/index.php?rest_route=\/wp\/v2\/posts\/25"}],"collection":[{"href":"https:\/\/www.joanillo.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.joanillo.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.joanillo.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.joanillo.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25"}],"version-history":[{"count":1,"href":"https:\/\/www.joanillo.org\/index.php?rest_route=\/wp\/v2\/posts\/25\/revisions"}],"predecessor-version":[{"id":26,"href":"https:\/\/www.joanillo.org\/index.php?rest_route=\/wp\/v2\/posts\/25\/revisions\/26"}],"wp:attachment":[{"href":"https:\/\/www.joanillo.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.joanillo.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.joanillo.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}